"[25] This terminology was also used in recent publications dealing with urban legends,[26] and the researcher on yōkai, Bintarō Yamaguchi, used this especially frequently. Also, when the Hyakumonogatari Kaidankai became popular in the Edo period, it is thought that one reason for the appearance of new yōkai was a demand for entertaining ghost stories about yōkai no one has ever heard of before, resulting in some ō that were simply made up for the purpose of telling an entertaining story, and the kasa-obake and the tōfu-kozō are known examples of these.[23]. Tokaido Haunted Journey) is a 1969 tokusatsu film produced by Daiei Motion Picture Company, and the third installment in the Yokai Monsters series. In Buddhist paintings such as the Hell Scroll (Nara National Museum), which came from the later Heian period, there are visual expressions of the idea of oni, but actual visual depictions would only come later in the Middle Ages, from the Kamakura period and beyond. Some notable origins has Hanako-San being the ghost … For example, Arifumi Sato is known to be a creator of modern yōkai, and Shigeru Mizuki, a manga artist for yōkai, in writings concerning research about yōkai, pointed out that newly created yōkai do exist,[27][28] and Mizuki himself, through GeGeGe no Kitaro, created about 30 new yōkai. ), This page was last edited on 6 March 2021, at 19:03. Also, including other kinds of publications, other than yōkai born from folk legend, there were also many invented yōkai that were created through puns or word plays, and the Gazu Hyakki Hagyo by Sekien Toriyama is one example of that. "artefact spirit".) In the Otogizōshi, familiar tales such as Urashima Tarō and Issun-bōshi also appeared. "[1] Yōkai are also referred to as ayakashi (あやかし), mononoke (物の怪) or mamono (魔物). In Japan, the Mystery Machine … Yōkai (妖怪, ghost, phantom, strange apparition) are a class of supernatural monsters in Japanese folklore. Each is born when the darkness of any of the 48 corrupted Sealing Shuriken (封印の手裏剣 Thus, with the development of a publishing culture, yōkai depictions that were treasured in temples and shrines were able to become something more familiar to people, and it is thought that this is the reason that even though yōkai were originally things to be feared, they have then become characters that people feel close to.[24]. [1][2] Academics also point out the film's inherent similarities to the story of Momotarō, who in folklore leads a group of native animals to reclaim the island of Kikaigashima from a group of demons who have overtaken it. [14] However, despite the literature mentioning and explaining these yōkai, they were never given any visual depictions. The Great Yōkai War) is a 1968 tokusatsu film produced by Daiei Motion Picture Company, and the second instalment in the Yokai Monsters series. The Great Yōkai War), also known as Ghosts on Parade, is a 1968 Japanese fantasy horror film directed by Kuroda Yoshiyuki. 1 Plot 2 Summary 3 Characters 4 Suspects 4.1 Culprits 5 Cast 6 Locations 7 Notes/Trivia 8 Quotes 9 Songs 10 Gallery 11 Transcript When Japan is suddenly being attacked by an army of Yokai Monsters, the Gammas and Mystery Inc team up to solve the problem. 100 Yokai Stories) is a 1968 tokusatsu film produced by Daiei Kyoto Studio, and the first installment in the Yokai Monsters series. Yokai can also be derived as something strange or unusual. A large number of unnamed Yokai appear in Onigatsuki; most of them reflecting the Japanese monsters, such as a number of Tsukumogami and a Noppera-bō. When Shinpachiro manages to shoot Daimon in the eye, Daimon is forced to abandon Lord Isobe's body and flee. Despite the existence of harmful spirits, rituals for converting ara-mitama into nigi-mitama were performed, aiming to quell maleficent spirits, prevent misfortune and alleviate the fear arising from phenomena and events that otherwise had no explanation. Yokai Monsters: Spook Warfare, was released as a Region Free disc (although it says Region 3 on the cover) in Thailand by Lionheart Pictures with optional original Japanese audio and English subtitles. The three 1960s films were released on Region 1 DVD by ADV Films in 2003. Yōkai range eclectically from the malevolent to the mischievous, or occasionally bring good fortune to … The concept of yōkai, their causes and phenomena related to them varies greatly throughout Japanese culture and historical periods; typically, the older the time period, the higher the quantity of phenomena deemed to be supernatural and the result of yōkai. As a result, kashi-hon shops that handled such books spread and became widely used, making the general public's impression of each yōkai fixed, spreading throughout all of Japan. While they are not able to free the monsters trapped inside by themselves, they are able to warn Shinpachiro about Saheiji. You can get Lord Enma and Max Luck him by completing a list of missions to collect a total of up to 113 copies. Jump to: navigation, search. Following this vampiric act, Daimon assumes the form of Isobe and makes his way to the lord's house. For examples, tales of yōkai extermination could be said to be a result of emphasizing the superior status of human society over yōkai. You can help this Wiki by adding an information! In the Edo period, many artists, such as Toriyama Sekien, invented new yōkai by taking inspiration from folk tales or purely from their own imagination. Yokai Monsters: Along With Ghosts (Japanese: 東海道お化け道中, Hepburn: Tōkaidō Obake Dōchū, lit.Tokaido Haunted Parth), also known as Journey with Ghost Along Yokaido Road, is a 1969 Japanese Tokusatsu film directed by Yoshiyuki Kuroda and Kimiyoshi Yasuda. The characteristics of yōkai range diversely from malevolent and mischievous entities believed to cause misfortune and harm, to those who are considered to bring good fortune to those who encounter them. Yokai Monsters: Spook Warfare (Japanese: 妖怪大戦争, Hepburn: Yōkai Daisensō, lit. While Shinpachiro sets up the candles correctly, Daimon manages to kill the priest by reversing his destructive magic. In 2005, Takashi Miike remade the film as The Great Yokai War. The apartment owner objects, and is mysteriously murdered. After scaring off the retainers in the forest, the yōkai set their sights on attacking Daimon. Animals, objects and natural features or phenomena were also venerated as nigi-mitama or propitiated as ara-mitama depending on the area. The film was released to Japanese theaters on March 20, 1968 on a double bill with Gamera vs. Viras. Daimon continues to clone himself in order to match their numbers and the yōkai quickly realise that their only hope of victory is to remove the original Daimon's remaining eye. Upon hearing of the attack, the yōkai realise their error and agree to help the kappa drive Daimon away. (日本の妖怪勝ったんやぞ！ Nippon no yōkai ga kattan ya zo!) If you have any issues or find any bugs, be sure to let us know on Discord! [8], Over time, phenomena and events thought to be supernatural became fewer and fewer, with the depictions of yōkai in picture scrolls and paintings beginning to standardise, evolving more into caricatures than fearsome spiritual entities. (It was preceded by Yokai Monsters: 100 Monsters (1968), and was followed by Yokai Monsters: Along with Ghosts (1969). 'ghost', 'strange apparition') is a broad term used in Japan to define supernatural or spiritual creatures, as well as a series of over several thousand Japanese monsters, many of which are included in in Japan's rich and varied mythology. Hanako-San herself is a popular urban legend, comparable to Bloody Mary for the west. [9] Publications included: In this way, yōkai that were mentioned only in writing were given a visual appearance in the Middle Ages. [9] During and following the Edo period, the mythology and lore of yōkai became more defined and formalised.[10]. 1 Hatcher Monsters 2 Collaboration Quests 3 Obtain Lord Enma 4 Yokai Coin Rewards Campaign Time: 10/11 12PM - 10/25 11:59 Special Note: This collab doesn't have a specific hatcher. Some yōkai resemble inanimate objects (such as the tsukumogami), while others have no discernible shape. [7] Chinkon rituals for ara-mitama that failed to achieve deification as benevolent spirits, whether through a lack of sufficient veneration or through losing worshippers and thus their divinity, became yōkai. Some well-known examples of these are the gashadokuro and the jubokko. With the Meiji Restoration, Western ideas and translated western publications began to make an impact, and western tales were particularly sought after. Yōkai play a role in attracting tourism revitalizing local regions, like the places depicted in the Tono Monogatari like Tono, Iwate, Iwate Prefecture and the Tottori Prefecture, which is Shigeru Mizuki's place of birth. Yōkai often possess animal features (such as the kappa, depicted as appearing similar to a turtle, and the tengu, commonly depicted with wings), but may also appear humanoid in appearance, such as the kuchisake-onna. Mizuki himself even makes a cameo in the film.[21]. In a fortunate turn, two of the yōkai not trapped in the jar - Futakuchi-onna and Kasa-obake - encounter the jar. From 1975 onwards, starting with the popularity of kuchisake-onna, these urban legends began to be referred to in mass media as "modern yōkai. When a corrupt magistrate conspires with an unscrupulous developer to evict residents of an apartment building and destroy their shrine. (Japanese: 油すまし, lit. Daimon transforms himself into a giant, so Nuppeppō takes hold of Kasa-obake's leg as they float up to Daimon's face: stabbing him in the eye and defeating him once and for all. As a result, even for those born in the first decade of the Showa period (1925–1935), except for some who were evacuated to the countryside, they would feel that those things that become yōkai are "not familiar" are "not very understandable." A regionally specific, (Japanese: ぬっぺっぽう, roughly translated as "a corruption of the slang for wearing too much makeup". Yōkai (妖怪, ghost, phantom, strange apparition) are a class of supernatural monsters and spirits in Japanese folklore.The word 'yōkai' is made up of the kanji for "bewitching; attractive; calamity" and "spectre; apparition; mystery; suspicious." [1] The winning cry of "Japanese yōkai have won!" [12] In the Heian period, collections of stories about yōkai and other supernatural phenomena were published in multiple volumes, starting with publications such as the Nihon Ryōiki and the Konjaku Monogatarishū, and in these publications, mentions of phenomena such as Hyakki Yagyō can be seen. Four thousand years later, the ruins are disturbed by treasure hunters and the monster Daimon is roused and proceeds to kill the intruders by causing a landslide. Yokai Monsters 2: 100 Monsters (妖怪百物語, Yokai Hyaku Monogatari) is a 1968 Japanese film directed by Kimiyoshi Yasuda. They are also frequently depicted in ukiyo-e, and there are artists that have drawn famous yōkai like Utagawa Kuniyoshi, Yoshitoshi, Kawanabe Kyōsai, and Hokusai, and there are also Hyakki Yagyō books made by artists of the Kanō school. While the samurai search, the children bump into the kappa and the other yōkai, who have set up camp in a local "monster's shrine". It was in this era that the technology of the printing press and publication was first started to be widely used, that a publishing culture developed, and was frequently a subject of kibyoshi[22] and other publications. Due to the nurarihyon being draped in the darkness of night, the man's surroundings will be altered into a state of perpetual night with yokai always seeking copulation. The word yōkai is made up of the kanji for "bewitching; attractive; calamity" and "apparition; mystery; suspicious". Attack of the Yokai Monsters is the 23rd episode of the 5th season of The New Scooby-Doo Movies (reboot). The entourage attacks a local family, but not before the parents manage to slip their children out the back door. However, yōkai such as Futakuchi-onna and Rokurokubi in particular are normally seen to be frightening creatures who are more often found in creepy kaidan (怪談, "strange stories") tales than children's movies. [13] The yōkai that appear in these literature were passed on to later generations. [27][28] However, since there have already been those from the Edo period like Sekien Toriyama who created many new yōkai, there is also the opinion that it is unreasonable to criticize modern creations without doing the same for classical creations too. This, however, backfires when it instead entraps the yōkai. In 2005, director Takashi Miike released The Great Yokai War, a modern retelling of the story which borrows many elements from Spook Warfare. While there were religious publications such as the Jisha Engi (寺社縁起), others, such as the Otogizōshi, were intended more for entertainment, starting the trend where yōkai became more and more seen as subjects of entertainment. [6] The yōkai are represented as playful and heroic, which is true of many yōkai found throughout Japan's history. Literature such as the Kojiki, the Nihon Shoki, and various Fudoki expositioned on legends from the ancient past, and mentions of oni, orochi, among other kinds of mysterious phenomena can already be seen in them. Supernatural beings from Japanese folklore, harvnb error: no target: CITEREF近藤瑞木・佐伯_孝弘2007 (, harvnb error: no target: CITEREF小松和彦2015 (, harvnb error: no target: CITEREF小松和彦2011 (, harvnb error: no target: CITEREF宮田登2002 (, 草双紙 といわれる 絵本 で、ジャンルごとにより表紙が色分けされていた。黄表紙は大人向けのもので、その他に赤や青がある。, "Toriyama Sekien ~ 鳥山石燕 （とりやませきえん） ~ part of The Obakemono Project: An Online Encyclopedia of Yōkai and Bakemono", Kwaidan: Stories and Studies of Strange Things, Nachrichten der Gesellschaft für Natur- und Völkerkunde Ostasiens, Database of images of Strange Phenomena and, The Magazine of Fantasy & Science Fiction, https://en.wikipedia.org/w/index.php?title=Yōkai&oldid=1010341600, Articles containing Japanese-language text, Articles containing Chinese-language text, Articles with German-language sources (de), Wikipedia articles with SUDOC identifiers, Creative Commons Attribution-ShareAlike License. [29] There has been much criticism that this mixing of classical yōkai with newly created yōkai is making light of tradition and legends. 3: Along with Ghosts (東海道お化け道中, Tōkaidō Obake Dōchū, lit. The Great Yōkai War), also known as Ghosts on Parade,[3] is a 1968 Japanese fantasy horror film directed by Kuroda Yoshiyuki. Yokai Element Gender Female Rarity 6★ 70px. For example, in classical rakugo, even though people understand the words and what they refer to, they are not able to imagine it as something that could be realistic. During this time, the yōkai remain trapped in the warded jar. They range from malevolent, mischevious tricksters to creatures that bring fortune and luck to those they encounter. The film was released to Japanese theaters on March 21, 1969. After drinking Ohdate's blood, Daimon assumes control of his body and returns to the house. Help support Yugipedia by using our Chrome extension, which redirects links to the old Wikia/Fandom site to Yugipedia, ensuring you see the most up-to-date information. Directed by Produced by Written by Music by Distributed by Rating Budget Box Office Running Time Alternate titles Yokai Monsters: Vol. Many yokai will be attracted to the man and desire to spend the night with him as his concubines. Yōkai are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. Their appearance ranges from animalistic to that of a regular Human, from the inanimate objects to strange shapes that can't be described. In Japanese mythology, Futakuchi-onna is a cursed woman who marries a local, (Japanese 付喪神, lit. 1 Mythologie 2 Arten von Yokai 2.1 Hengeyōkai 2.2 Oni 2.3 Tsukumogami 2.4 Namazu 2.5 Menschengestaltige Yokai 2.6 Weitere Arten von Yōkai 3 Yokai in der Popkultur 4 Yokai in TMNT 4.1 IDW Comics 4.2 Animationsserie (2012) 4.3 Cartoonserie (2018) 4.4 Filme 5 Siehe auch 6 … Yōkai are indexed in the book Sogo Nihon Minzoku Goi (綜合日本民俗語彙, "A Complete Dictionary of Japanese Folklore")[11] as follows: The ancient times were a period abundant in literature and folktales mentioning and explaining yōkai. Games Movies TV Video. The yōkai do not believe the kappa's story, as they insist such a monster has never been found in Japan, citing a field guide and a coloring book about yōkai. "two-mouthed woman".) [4] According to Japanese ideas of animism, spirit-like entities were believed to reside in all things, including natural phenomena and objects. The parents are killed and the retainers ordered to sweep the area to find the children. Yokai Monsters: Along with Ghosts (東海道お化け道中 Tōkaidō Obake Dōchū, lit. The film borrowed numerous elements from the Yokai Monsters series as well as Mizuki Shigeru's Kitarō story of the same name. A list of Yo-kai that debuted in Yo-kai Watch, and organized in order of appearance in the Yo-kai Medallium. (It was preceded by Yokai Monsters: 100 Monsters (1968), and was followed by Yokai Monsters: Along with Ghosts (1969).) The Great Yokai War) is a 1968 Japanese tokusatsu monster film produced by Daiei Kyoto Studio, and the second installment in the Yokai Monsters series. Yokai Fudagaeshi (妖怪フダガエシ, Yōkai Fudagaeshi, 43) is a Yokai who appeared in Shuriken Sentai Ninninger. Yokai Monsters: 100 Monsters (妖怪百物語 Yōkai Hyaku Monogatari?, lit. For example, before the Edo period, there were plenty of interpretations about what the yōkai were that were classified as kappa, but because of books and publishing, the notion of kappa became anchored to what is now the modern notion of kappa. Neither type of spirit was considered to be yōkai. From Yugipedia. Shinpachiro decides to consult his uncle, a priest, who informs him that Lord Isobe is in fact dead and that some demon is masquerading as him. For example, the classical yōkai represented by tsukumogami can only be felt as something realistic by living close to nature, such as with tanuki (Japanese raccoon dogs), foxes and weasels. Following the yōkai's victory, Shinpachiro is released from captivity. Rokurokubi is the first to attack, winding her neck around Daimon like a hangman's noose. [5] Such spirits possessed emotions and personalities: peaceful spirits were known as nigi-mitama, who brought good fortune; violent spirits, known as ara-mitama, brought ill fortune, such as illness and natural disasters. Meanwhile, Lady Chie and Shinpachiro find the maid Shinobu, who has fallen victim to Daimon's vampirism. From these examples, it can be seen that among Japanese gods, there are some beings that can go from god to yōkai and vice versa.[18]. 1 OCG/TCG Yokai-Type Monster Cards 2 Anime Yokai-Type Monster Cards 3 Manga Yokai-Type Monster Cards 4 All Yokai-Type Monster Cards This is a list of Yokai-Type Monster Cards. Also, in Meiji 41 (1908), Kyōka Izumi and Tobari Chikufuu jointedly translated Gerhart Hauptmann's play The Sunken Bell. The priest gives Shinpachiro three candles to be placed around the room in which the demon is sitting while the priest chants destruction prayers in order to destroy the demon. They can also be called ayakashi (妖), mononoke (物の怪), obake (お化け), bakemono (化け物) or mamono (魔物). There he is met by Isobe's daughter, Lady Chie and fellow samurai Shinpachiro Mayama. In this way, yōkai are spoken about in legends in various forms, but traditional oral storytelling by the elders and the older people is rare, and regionally unique situations and background in oral storytelling are not easily conveyed. As their master, he will end up spending the never-ending night copulating with yokai one after another. Wikis. Daimon announces to Saheiji that he thirsts for younger blood than is afforded him at the house and so goes out looking for children with his retainers. "oil presser".) It is the second[4] in a trilogy of films produced in the late 1960s, all of which focus around traditional Japanese monsters known as yōkai. [16] Yasaburo was originally a bandit whose vengeful spirit (onryo) turned into a poisonous snake upon death and plagued the water in a paddy, but eventually became deified as the "wisdom god of the well (井の明神). Thus, the modernization of society has had a negative effect on the place of yōkai in classical Japanese culture. (Japanese: 轆轤首, lit. Yōkai) are supernaturally-created creatures made for use within the Kibaoni Army Corps as sowers of discord and destruction for the gathering of the "Power of Fear". "pulley neck" (referring to the pulley of a potter's wheel).) Yokai enemies are from another realm, and are marked by a smoky darkness which can take on an area of effect around them. Seeing that the yōkai have gotten free, Daimon creates half a dozen clones of himself in order to match their number. You can obtain the Hatcher Monsters by using Yokai Coins to purchase them. On the other hand, the yōkai introduced through mass media are not limited to only those that come from classical sources like folklore, and just as in the Edo period, new fictional yōkai continue to be invented, such as scary school stories and other urban legends like kuchisake-onna and Hanako-san, giving birth to new yōkai. [27] Furthermore, there is a favorable view that says that introducing various yōkai characters through these books nurtured creativity and emotional development of young readers of the time.[28]. The film was released to Japanese theatres on December 19, 1968. Since we started in January 2013, Yo-kai Watch Wiki has currently editing over 2,793 articles, 26,901 images and you can help.. Yo-kai Watch Wiki is a mediawiki-based encyclopedia hosted by FANDOM that contains information about Level-5's hit series Yo-kai Watch.We are striving to be the most known encyclopedia that covers information about the Yo-kai Watch franchise. Tokaido Haunted Road 100 Yokai Stories "The Youkai series" is a classic trilogy of films of horror and fantasy written by Tetsuro Yoshidaand released in the Late 1960's, The films were produced by Daiei. 2: Spook Warfare(Japanese: 妖怪大戦争, Hepburn:, Yōkai Daisensō?, lit. Due to its nature as a urban legend, there is various origins explaining how Hanako-San became a youkai. List of Yokai-Type monsters . Hanako-San, also known as Toire no Hanako-san (トイレのはなこさん, "Hanako of the Toilet"), is a villainous youkai from Japanese folklore. Medieval Japan was a time period where publications such as Emakimono, Otogizōshi, and other visual depictions of yōkai started to appear. )[5], Yokai Monsters: Spook Warfare, along with the other two films in the series, was produced by Daiei Film and makes extensive use of tokusatsu special effects, with the majority of the creatures being represented by actors in costumes or puppets. They are currently out of print. Yokai Monsters: Vol. When Saheiji also displays Daimon's mannerisms and orders the altars burned, the kappa becomes suspicious and attacks Daimon fruitlessly. The story of Spook Warfare shares many similarities with Mizuki Shigeru's GeGeGe no Kitarō (ゲゲゲの鬼太郎, Scary Kitarou) manga and anime series of the same name which was released around the same time. Tokaido Haunted Parth), also known as Journey with Ghost Along Yokaido Road,1 is a 1969 Japanese Tokusatsu film directed by Yoshiyuki Kuroda and Kimiyoshi Yasuda. Critics praised the film's special effects, but noted with some concern that the violence and frightful nature of the film directly clashed with its supposedly child-friendly tone. The costumes and puppets (many of which were produced for the first film) are some of the most recognisable realisations of traditional yōkai illustrations in cinema.
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