I would have liked a more systematic sample gallery, with 1:1 and 2:1 to compare them. They are comparable to old style 105mm macros without floating element.It looks like a modern 100mm macro is 70 mm or thereabouts at macro distance.I use the Nikkor ais 105 micro f4, which stays 105 all the time and is great on bellows. Meanwhile, a sponsored product must also be a product they think worthy to include on their site as otherwise it detracts from readership experience. It lacks personality, but its damn sharp. I might even write some software for that. The Sony is just another "same-ol" offering, with nothing distinguishingly unique about it. But you can NOT stack the tube. I already have the 90mm - but really think about this lens for my technical documentation work. My modern 50/1.4 becomes something like a macro petzval! The first major update to Capture One 21 is available now. Despite this, some of its technology and design live on... OPPO launched its latest smartphone today, the Find X3 Pro. Probably. All of the 100mm macro lenses in the market can only reproduce 1:1 magnification (life-size) image only. Could this be done handheld and either manually moving the focus ring or with an automatic bracketing function? So while it is technically a "1:1" macro, it becomes an *equivalent* 2x macro in 35mm terms. The auto/manual focus implementation is best on the 90 and it's manual focus feel for a fly by wire is exceptional. khunpapa - I'd guess that the reason why Olympus don't make extension tubes for their M43 cameras is quite simple - their 60mm macro already fills the frame with a subject only 18mm across at the 1:1 scale. Putting a set of all three tubes on really degraded the image. Unfortunately, it seems it’s destined for industrial use-cases. Exposure f/5.6 for 1/320 sec at ISO 100. Click through for more information. I would think even if you move a bit software could align this automatically. 15mm T2.1 Zero-D Cine. The manufacturers of macro lenses tend to have an easy win - macro lenses are pretty much always sharp thanks to a combination of a moderate max aperture and "easy" focal length. Try to shoot at apertures between F5.6-11. Where other macro lenses on the market offer just 1:1 scale, this lens is able to capture more detail, allowing you to freeze dramatic close-up scenes which would otherwise not be possible. Find out more about its updates and enhancements in our review. The 12 elements in 10 groups optical design delivers a crystal sharpness image in both macro and infinity distances. If you want just bang for your buck go with the Sony 50mm F2.8 or even better the E-MOUNT version of the 70mm Sigma Art macro, The internal design of the 90mm alone is however worth the extra cost. Hmm. On tripod with just a regular head? Thanks.You are dead wrong. Click through to see how the a1's newly-developed sensor performs. Very little color shift out of the focus plane. Laowa 100mm f2.8 CA-Dreamer Macro 2x Review Date: October 13, 2019 Author: lenzlimphotography 1 Comment Venus Optics has successfully shaken up the market in recent years after the launch of many unique optics and “World’s First” kind of lenses. Read our in-depth review to see how it stacks up against the competition. The Sigma 180 I'd say would be the next best, then the Sigma 70, then Nikkor 105VR, then the Laowa 100. Also the TC causes severe dark corners. With a closer look (100% view) at the gallery images I got the impression that a slight loss in sharpness/resolution due to diffraction partly shows up with f-stops of 8 and higher (the higher the more).But of course, that's a challenging trade-off with a too shallow DOF anyway in outdoor macro photography. Does the Sony version have auto aperture as the canon version? If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. Laowa 100mm f/2.8 2:1 Ultra Macro APO is not only a exceptionally macro lens. If you need more depth of field, you really need to use focus-stacking, but that only works with static subjects and a camera rigidly mounted on a very sturdy tripod. If you use that (chinese) extension tube, the image degradation will be very obvious even at 10mm thick. I guess the OIS and autofocus makes the sony a much better general purpose lens. well, manual focus stacking was working for decades, and didn't stop working. @entoman, no. Our UK-based contributor has been shooting with the 100mm F2.8 for a while, and we've uploaded a small sample gallery. Except some poor quality tube from China, there's none. Really, the only bad things they had to say about it were its bad flare resistance and that the depth of field scale is broken. Those serious about macro use a rail or MF of real lenses. Your observation that Olympus produced a zoomable 65-116mm tube for their 35mm cameras underlines my point that (with FF) there should be no image degradation when using tubes or bellows. Ah I see, thanks dqneilg. Now maybe I can read the fine print on my Comcast contract... With an Apo-lens like this the question arises: How much Apo is it really & would I see it in my images? So who is right? 42MP or beyond, and it was very slow AF at closer distances (screwdriver) and also a tad heavy, but I loved it never the less as it also was a short tele lens. Nonsense. Try taking a 100 images with manual lens. We put a sample (in Nikon mount) through the paces and made a couple interesting discoveries. But I'm wondering if a macro lens with autofocus and a camera that can rapidly shoot a focus bracketing burst wouldn't be better. Page Transparency See More. It features a greater than life size magnification (2:1 rather than 1:1), so you can fill the frame twice as much as your typical macro lens. The extended 2x magnification means more details can be seen through the lens. Despite its impressive specifications, it's priced at a wallet-friendly $449. They even have the very unique macro accessory, the "zoom-able" 65-116mm tube. Keith has been looking at a new manual focus macro lens, the Laowa 100mm f/2.8 2X Ultra-Macro APO. More open than f/10 shows less detail because of remaining lens aberrations, more closed than f/11 shows less detail because of diffraction. Unless dpreview is *directly* recommending a product there is just no need since there is no actual conflict of interest. Contact Us. As it does not, I had to search at B&H to find a nice image so I know what the lens looks like and how much it costs. About See All. There's a popolar belief that because an extension tube is empty it won't decrease the image quality, try for yourself! It's not diffraction, but the nature of extension tube and the lens itself. 2:1 Magnification . This week, Chris and Jordan share their recommended setup for two popular models: the Canon EOS R5 and R6. The museum, opened in 2017, showcases Nikon's 100-plus years of history and includes many interesting exhibits for photographers. It's merely a form of product placement, and you wouldn't expect a movie to disclose all product placements as the movie rolls. 307 people follow this.
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